How to Make Ads That Actually Make Money

How to Make Ads That Actually Make Money

How big brands structure Facebook ads.

Date

May 23, 2025

May 23, 2025

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Category

Marketing

Marketing

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Writer

Emil Novak

Emil Novak

Overview

Creative Isn’t Just the Variable. It’s the Strategy.

Meta makes it clear: your creative is your targeting. No interest groups. No lookalikes. No funnels. Every ad set runs broad.

That means your creative has to do the heavy lifting. It has to attract attention, earn trust, and drive sales. If every ad looks and sounds the same, you’re only speaking to one kind of customer. That leaves real money on the table. Creative testing isn’t about throwing 20 variations at a wall.
It’s about building smart variation: Different formats. Different tones. Different angles. All built around the same core idea.

The goal is to find out what lands. What kind of content pulls different types of customers in. That’s how you scale profitably.


Campaign-Level Creative Strategy

At the campaign level, you want as much creative diversity as possible. There are two main ways to create that diversity:

  1. Split ad sets by creative type

  2. Split ad sets by creative idea


Inside each ad set, you’ll test 3 to 5 variations of that idea or type. This gives Meta the options it needs to push spend behind the strongest version within the concept.


Two Ways to Build Creative Variety (A Time & A Place For Both)

  1. Split by Creative Type: Same creative type, different angles.
    Example: You run five UGC videos. Each one focuses on a different angle like durability, fit, community, comfort, or social proof.
    You’re keeping the format constant but changing the message. This shows you what angle connects best with your customer type.

  2. Split by Creative Idea: Same angle, different creative types.
    Example: You want to push the idea that a new collection just dropped or that your running a sale for the next week. One ad says it with a polished studio video. Another says it through a casual UGC story. A third uses a meme. Another uses a photo carousel.
    The message stays the same, but the way you deliver it changes. This tells you how format influences performance across different types of customers.
    You’re not testing the idea. You’re testing how different customer types want to experience that idea.


Example: Outdoor Clothing Brand
Let’s go back to our fictional outdoor apparel brand we’ve been using for examples. Inside met ads manager we’re inside the “hiking” campaign (Remember, we split CBO Campaigns by niche)

First, we split by creative type.
We launch an ad set focused on UGC videos. Inside that ad set, we run:

  • A video about how the heavyweight hoodie is perfect for autumn hikes

  • A video saying the tees are ideal for layering under windbreakers

  • A more aspirational clip that sells the feeling of hiking in our gear

All three videos are UGC. But each one hits a different angle. One of them might flop. One of them might unlock a winning direction.

Next week, we switch to split by idea.
Let’s say that second UGC ad crushed. Turns out, people love the idea of lightweight graphic tees under windbreakers.
So now we build a new ad set. The message stays the same in each ad and its centered around our hiking tees being great for layering because that what won last week, but the formats change:

  • A UGC photo

  • A sticky note callout graphic

  • An us-versus-them comparison

  • A lo-fi grainy clip

  • A meme or still life editorial

This is how you get depth and range by finding the best angle and the best ad creative type to sell this angle.


Ignore Vanity Metrics. Focus on What Moves the Needle.

Clickthrough rate doesn’t matter. Hook rate doesn’t matter. Cost per click doesn’t matter.

Here’s what does:

  1. Volume: How much is Meta spending on the ad?

  2. Efficiency: Is that spend converting profitably (ROAS or CPA)?

Everything else is noise. Look at ROAS and volume at the same time.
An ad spending 100 dollars a day at a 3.7 ROAS is stronger than one spending 10 dollars a day at a 4.5. You’re getting more bang for your buck on the second ad, but the moment you scale it to 100 dollars, performance will tank. So don’t just look at ROAS. Always look at ROAS together with spend.


Rules for Killing or Keeping a Test

These rules are flexible. But 90 percent of the time, they’re right.

Rule 1: If an ad set spends 2 to 3x your AOV without a sale, turn it off.

  • AOV over $200? Use 2x.

  • AOV under $200? Use 3x.

Rule 2: If an ad set spends 3 to 4x AOV, has been live for at least 5 days, and is under campaign average ROAS, turn it off.
You need that 5-day window to let delayed conversions come through. Meta uses a 7-day attribution model.

Sometimes Meta doesn’t allocate spend to a creative you launched. That doesn’t always mean it’s bad. It just means Meta doesn’t expect it to beat what’s already live.
If you really believe in it, you can force spend:

  • Add a $25 to $50 spend minimum to that ad set (That gives it a shot to prove itself)

Only do this if:

  • You have enough budget

  • You aren’t testing a huge volume of creatives

If your budget’s tight, skip it. Most of the time Meta is right. You can live with the occasional false negative. Forcing spend too often puts your budget at risk. And trust me, the ad you love usually isn’t the one that works.